With these words, a low spark sung in a true and beautiful voice, Steve Winwood snared many of us a long time ago. Hindsight and an honest appraisal of their catalog reveal Traffic as the blueprint for much of what’s now known as "jam music." A series of stunning recordings showed an embrace of modal structures and a stylistic spread that embraced everything from English folk forms to psychedelic rawness to swinging, complex jazz figures. Building on the punishing blue pop of his work as a teen in the Spencer Davis Group, the group pursued its own road while still managing to connect with a mass audience. Rare is the person who’s never encountered a band laying into “Dear Mr. Fantasy” or “Gimme Some Lovin’.” Winwood's diverse, exploratory career includes the glimmering moment of Blind Faith, sessions with Hendrix and Muddy Waters, space flights with Stomu Yamash'ta and his smoother, listener friendly solo material of the '80s and '90s.
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"Record companies put pressure on artists through A&R and production to make a kind of album that fits in with their idea of how they can market it," Winwood said recently from London. "I have to admit that I was probably influenced, and to some degree, fell foul of that through the '80s and '90s. So now, I'm definitely trying to distance myself from that."
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Steve Winwood was on site at the Theatre at Madison Square Garden for the 2004 Jammy Awards. Winwood was the recipient of this year's Lifetime Achievement Award. Chris Robinson presented the award. In his brief acceptance speech, Winwood exclaimed, "It's nice to know I've been jamming for the past forty years!" Winwood and his band performed the event's final set, offering up favorites from every decade in his career, including "Gimme Some Lovin'," "Dear Mr. Fantasy", "Back in the High Life", and "Different Light".