News

  1. Roll With It Review
    June 18, 1988

    Roll With It Review

    When he was only 16 years old, Steve Winwood was credited with the best blue-eyed soul voice in Britain. That was way back in 1963 when he sang with the Spencer Davis Group. He later anchored the groups Traffic and Blind Faith, then disappeared into his country estate for a while before fashioning a Grammy-winning solo career in the '80s.

    The one constant throughout Winwood's career is that voice -- a yearning, deep-from-within tenor that can run from raw to celestially smooth in the blink of a phrase.

  2. New York Post: Review of Back in the High Life video May 22, 1987

    Winwood goes it homey and natural

    Winwood, walking alone in the streets of Fairfax, Virginia, in the countryside, on-stage, dancing and walking with his wife, Eugenia, obviously 'back in the high life" in some way.

    It's all quite natural and homey, and a change from the stylish, pre-marriage "Higher Love" video that posed him with fashion models. Oddly enough, it's vaguely reminiscent of his old "Still in the Game" video that showed him with hisformer wife. In any case, this clip shows a very secure, happy, peaceful Winwood.

    -- Lisa Robinson

     

  3. Grammy Nominations Led By Steve Winwood

    The singer Steve Winwood received five Grammy Award nominations Thursday to lead the rock category, while Peter Gabriel, Paul Simon and the jazz trumpeter Wynton Marsalis received four nominations each.

  4. Pop Life: New York Times, September 16, 1986

    Although it has been nearly 20 years since he had his first hits, ''Gimme Some Lovin' '' and ''I'm a Man,'' with the Spencer Davis Group, Steve Winwood doesn't wear the predictable aura of a weather-beaten rock veteran. Indeed, the English pop-blues singer and multi-instrumentalist, who is a very young-looking 38 years old, is more popular today than in the late 1960's and early 70's, when he led the English folk-jazz-blues band Traffic. The spare textures and loosely blocked arrangements of his music today make only minor concessions to contemporary pop sounds as he continues to evoke an earlier, more romantic period in rock history.