News

  1. People Magazine, November 15, 1982

    The son of a foundry worker, Winwood grew up in Birmingham. His father, an accomplished amateur musician, had him playing the piano at age 6. Steve turned pro at 7 when he joined the local Anglican choir. "I used to get a shilling for every wedding," he recalls. "That was when I first realized that one can make money out of singing." He went on to take two years of classical training in music at the Birmingham Midland Institute.

     

  2. "Rock's Gentle Aristocrat" Musician, October 1982

    A country gentleman residing in his dream house in Gloucestershire for a decade, Steve Winwood was born on May 12, 1948, in Birmingham, England, and well-nigh weaned on rock 'n' roll, making a living at the craft when most prospective candidates from the provinces wouldn't know a riff from a rafter. Famous by age 16, he's been praised and panned, celebrated and nearly eulogized in the years since. While assured of a place in the rock 'n' roll Hall of Fame, he was almost dismissed as a lifeless trophy on 2 legs before he strode seemingly out of nowhere to reaffirm his status as one of the most original and sagacious talents in the music industry.

  3. "The Steve Winwood AutoDiscography": Trouser Press, May, 1981
    May 14, 1981

    "The Steve Winwood...

    'As a child prodigy (he was in his mid-teens) with the Spencer Davis Group, Winwood handled not only vocals and lead guitar, but also the organ which distinguished the band's sound. He left the group in 1967, after a string of hits, to form traffic, and he and his new mates found themselves under pressure to come across with the goods.'

  4. "Steve Winwood's Strange Studio Saga": Circus, April 30, 1981

    Next to a splintered fence in the Gloucester Farm country, two men stand working. One, a local named Gordon Jackson, is commonly seen tending sheep nearby. The other, despite his short-cropped hair and casual tweeds, looks less like a gentleman farmer than an artist of some kind.

    Something about his birdlike features and angular build would ring a bell in the mind of any Traffic fan. Yet this farmer has taken a wide detour from the intensity of those winter evenings in the early 70s when Traffic, the band he fronted, held sway over American Stadiums with its hypnotic rock & roll. Why is Steve Winwood, the maker of such hits as "Freedom Rider", "Dear Mr Fantasy", and "Gimme Some Lovin'", mending a fence? Hasn't it been three and a half years since the last Winwood album? Doesn't he have songs to get on with?